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Thank you for your answer Feb. 16, 2023, to my previous question Feb. 15, 2023.

Your comment that "Prayer and spiritual guidance are important defences" constitutes a straightforward strategy.

How many times does prayer time optimally -- for oneself and prayer intentions -- happen daily?

(This is not intended facetiously but, for example, some online sources look to earlier times for effectivest exercise because of effectivest energy and metabolism levels.)

Blogs on canalblog are going through major changes so some of them can be inaccessible for a few days. At the moment, the link you mentioned works fine.

A good story can circulate for centuries. It would take a whole book to explain what Ithin about that. In essence it should deal with immortal theme (injustice, lost love, death, ...) and have interesting characters. A pinch of magic can't hurt.

I am sure there's her take on Bluebeard, Puss in Boots, Red Riding Hood and a few others as well.

Can't say that, sorry. There are so many version one could devote a whole life to explore just one story.

John Dickson Batten, Arthur Hughes, Frederik Richardson, Nikolay Bogatov - these are the last vintage artists in the article.

It's simple. One of the major characters is in most cases ntroduced as an animal and another major character has to do something to help him/her to transform into human form.

I believe it's used for base like you give some kingd og old paper to a child who is avout to start coloring with aquarelles.

Graphics are done by Mrs King, words by John Mason Neale and Thomas Helmore.

I am not sure if any of the mermaid illustrations belong to any book. The left in the top row is a design for tiles.

All nine images belong to those three books.

Yes, I believe they are.

Yes, you are right, the terrafenis Heather, but
I do not know the Welsh name for the feature.

The 9th subheading, Bloody Chamber by Angela Carter (1979), brings up an interesting proposition in its retelling certain fairy tales and not others.

Almost 50 years after that publication, what fairy tales might be excluded or included in a similar retelling?

(In other words, which fairy tales in essence perish, which fairy tales persist, and why?

The 9th subheading, Bloody Chamber by Angela Carter (1979), describes its topic as "modern rewritings of some of the most popular fairy tales."

What fairy tales did the aforementioned author include?