Mary Beth explains that her new album Les biens-nommés is “a concept album. It started with one song that turned into a trilogy, then an entire album. I love old music and I just wanted to write songs that were inspired by rhythm changes and dance music rather than the more country influenced music I was writing in my twenties. I wanted to make something that was different from what we are used to hearing these days.”
Often times, her songwriting process starts with a feeling. Mary Beth continues, “I often look for a humorous way of getting to that feeling. Sometimes it’s a chorus, but sometimes I write songs with no chorus at all, but rather an instrumental hook that comes around like the B part in a fiddle tune.”
Being around people seems to help Mary Beth’s creative process, so she often writes in libraries. She adds, “I’ll run outside, record a vocal memo, then run back inside and keep writing verses!”
The biggest challenge she identifies is finding the time and space to perform her own music. Mary Beth says, “I’ve been doing a lot of accompanying as a guitarist lately, so I don’t necessarily get to share my own material. If I get hired to play for three hours in a pub, I usually put on my cover artist act, so my challenge is finding a venue to sing original music.”
Nova Scotia’s strong musical scene means that Mary Beth often plays with people she has never rehearsed with. She says, “I’ve been really into Cape Breton dance and ceilidh music. It’s amazing because you can play with anybody in that genre! You may know the tune, but if you don’t, the second time it comes around you can pick it up. It’s exhilarating, challenging, and a total thrill to play traditional music!”
In September, she’s playing a gig for which she’s excited. She points out, “I’m playing at the Deep Roots Music Festival in Wolfville, Nova Scotia with my all time favourite musician Howie MacDonald. He played with The Rankins for many years and is also a comedian. I’m so excited to be accompanying him for the festival.”
A longer term goal of Mary Beth’s is recording in a professional studio. She says, “My last album was made in my living room and in a friend’s basement with whatever microphones we had and an old computer. I’d really love to have the budget to someday go into a real studio and record.”
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