When I decided to become a full-time writer, I have had already a lot of works published. But all of them were for an adult audience. While I tried to continue and expand writing in the same areas, it was soon clear I should not neglect the kids market.
It is bigger, with higher demand (and competition) and more possibilities of earning. Several editors suggested me exactly that. First thought about writing fairy tales for kids are for most people books, especially picture books, but there are numerous other possibilities just waiting to be explored.
(all presented images are copyrighted by Tolovaj Publishing Slovenia)
This article lists 10 ways to earn money with your own fairy tales:
Will you?
Yes, DerdriuMarriner, modern versions explore classic fairy tales with new twists, different perspectives, etc. Angela Carter, Margaret Atwood, and Jane Yolen are typical authorities in this field.
It intrigues me about 21st-century writers of fairy tales, which I generally judge as a literary journey back in time hundreds of years.
Is writing a modern-day fairy tale making up one's own story in fairy-tale fashion or is it also writing expanded versions, prequels and sequels to the extant fairy-tale lore?
For example, would a modern-day fairy tale possibility be writing La Belle et la Bête from the beast's perspective? Would it perhaps involve our learning what he did, whom he met -- ;-D -- all those ghastly pre-Beauty years?
I'll have this in mind, DerdriuMarriner. Thanks for stopping by.
Thank you!
If you ever can make the time out of your busy schedule to write about those fairy tales that do have main characters spend time in the world of the dead, that is something that really interests me.
(Kadare indicated very clearly, and obviously erroneously, regarding the Albania-China interaction in the 20th century and The Concert, that only Albania and China invoke that "dead time" in their respective fairy-tale legacies.)
And yet it's only the Egyptian Hieroglyphic-, Greek-, and Latin-language legacies of the ancient Troy culture that I most immediately think of time in the world of the dead!
Hi, DerdriuMarriner. My country celebrates April, 2nd (Andersen's birthday) with several happenings, mostly related to schools, but it's focus mostly on the promotion of reading, not fairy tales. I am not familiar with the fairy tale you mentioned but there are many where the main character(s) spend an important amount of time in the world of the dead.
It astounds me how many fairy tales are extant in so many countries at so many times.
Does the fairy tale a day arrangement in your country assemble a story and an analysis or provenance?
Is The Boy Who Carried a Letter to the Kingdom of the Dead among that repertoire? Ismail Kadare mentions it in connection with his novel The Concert about how revolutionary China chose close diplomatic, political and socioeconomic interactions with only one European country, Albania. He noted that only Albania and China share the same plot and title in the fairy tale about The Boy Who Carried a Letter to the Kingdom of the Dead! No other country in the world preserve that fairy tale or anything like it.
Thanks, katiem2. All the best to you too!
Very interesting, congratulations on your success.
Hi, katiem2, glad to see you again. I started my writing career as a journalist and had my first novel completed (and published at the biggest publishing house in country) at early twenties. But these works were not for kids. Soon after I became a full time writer, so I needed as many streams of income as possible. I learned on the go.
Right now I have enough work in my country to make decent living and not enough energy to expand in America (which, frankly, is by far the most interesting market for a writer). Having a good literary agent or some kind of connection with a major publishing houses would be awesome, but at the moment this is beyond my reach.
P.S. I would love to hear more from you about the art work and how it came to pass.