The ancient land of Persia and the modern nation of Iran boast beautiful built and natural environments. Cities, farms, towns, and villages can be identified by the uniqueness of:
• fragrant concoctions and plants;
• musical sounds.
Iran’s and Persia’s architecture and textiles emphasize the special blueness of:
• bright skies;
• water bodies;
• wildflower petals.
Color gets a pivotal role in Iran’s and Persia’s Cinderella story. The fairy tale has such other Iranian and Persian plot-advancing injections as:
• alms for the misfortunate;
• dangerous hair pins;
• diamond anklets;
• fairy magic from a blue jug;
• fleet horses questioning river water potability;
• Nowruz celebrations for the New Year;
• silver-grey turtledove in windows.
The above-mentioned inputs ultimately make “The Persian Cinderella” uniquely unforgettable.
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Robert Florczak's website:
http://www.robertflorczak.com
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In memory of Shirley Climo (1928 - August 25, 2012)
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Comments
Robert Florczak, Your illustrations of "The Persian Cinderella" epitomize what I cherish most in art: color, form, timelessness, timeliness. From your other work, I know that the artistry which tells Settarah's story so elegantly and eloquently is not at all unusual.
Thank you for taking the time to visit and comment, and thank you for sharing your talents with the world.
Thank you for your kind and insightful review.
Robert Florczak
Lybrah, The various Cinderella stories are charmingly illustrative with local uniqueness. I'm happy that you appreciate the Persian Cinderella, and I'm sure that you will enjoy the versions which I've covered from other countries.