Brabbs concentrates on the architectural glories of the mediaeval shrines of Western Europe, mainly those in France and Spain and Portugal. The bulk of this beautiful volume deals with the pilgrim routes on the European mainland. Inevitably, the fact that pilgrimages have come from a great variety of countries, all with the intention of reaching one of several sites, means that there are different routes across the European mainland, some going to the shrine of St James at Compostella in Spain, whereas other routes, such as the Via Francagena, aim to pass over the Alps to enter Italy to reach the centre of Catholic Christianity in Rome. The author has had to make a selection of pilgrim routes, for just as he had to omit Iona in Scotland, so he has been obliged to omit the modern Marian shrine at Fatima in Portugal, which dates from 1917.
Brabbs has some of his enforced selection made for him, for he is concentrating on the aesthetics of the pilgrim experience, so he focuses on the art and architecture that the pilgrims meet en route, and thus the readership is treated to a feast of architectural and aesthetic beauty displayed to us in high quality photography. But the heavy pressures generated by high quality photography mean that he has to be selective of his material, so not all the routes are photographed in detail. Moreover, he finds a way to satisfy the readers' desire for beautiful landscape. There are some landscape shots. One of these is on the Via Francagena, which takes a route from France over the Alps via the St Bernard Pass. This is a lovely landscape.
Most routes tend to pass across France, but there are other countries including Spain, Portugal and parts of western Germany. The German route reaches southwards towards Munich and then joins a route over the Alps. The routes through Spain lead across the Pyrenees and into Spain or sometimes Portugal. The book gives a brief picture of Rome, as if to say that the pilgrim experience is more about travelling to a destination than it is about arriving.
This is a high quality book that will endow any personal library with an aesthetic blessing. I commend it to readers.
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Comments
The afore-accounted book appeals to me in its images and information.
Does the book decide upon a person, a place, a time as by whom, how, when, where, why the first pilgrimage developed?