Easter is the greatest Christian holiday. Despite a limited set of themes, everybody celebrates it a bit differently. Vintage postcard artists were no exception. Some created Easter cards more traditionally, others in a more modern, playful way. We will go through 10 antique postcard artists who roughly lived and created in the same era for very similar markets. They were all influenced by the same artistic movements. Still, their works differ tremendously.
It's not our intention to analyze vintage greeting cards for Easter. Let's just say we are simply offering a general view of the offer at that time. So here they are - 10 vintage postcard artists with Easter greetings.
Which style is the most resonant with you?
I agree with you about Nystrom. Can't say much about Schmucker. His life was marked by polio, which probably made great impact on his perception of life. We should also know that today's 'scary' could be understood 'humorous' not so long ago. His creations are definitely worth exploring.
Thank you for your comments below, in answer to my previous observation and question.
Nystrom generally concentrating on dwarves can be considered as Swedish cultural-heritage components even as the poetic and prose Eddas, which I regularly consult, count quite a dwarf-ly crowd among their characters ;-D!
Schmucker is enchanting and unsettling in his heads installed within Easter lilies.
But might his art muster some scary elements elsewhere?
I don't think Nazism has anything to do with her success. Brundage wasn't accepted in the USA because publishers preferred Clapsaddle (with way more stronger connections in Germany) and Humphrey, both already neing established as trademarks. Brundage was accepted by publishers in England and Germany where the top quality printing was at the time, and it was a logical step that buyers accepted her work because European publishers dominated the USA market as well.
Not really. Jenny Nystrom is best known by her dwarfs, but I decided to use her Easter witches because they are so different than other 'usual' designs. Otherwise, Nystrom's work doesn't differ so much. If I would have to point at one artist only, that would be Samuel Schmucker.
The last sentence to your second subheading, Frances Brundage, amazes me. That sentence avers that "she wasn't valued in her homeland, the USA, until she achieved success in Germany."
Her lifespan (Oct. 31, 1854-Jan. 27, 1932) correlates with the ascendancy of Prussian militarism and the invasion of Austrian nazism.
Is there a German artistic trend that impressed Unitedstatesians such that it influenced their imaging Frances Brundage more lucratively, more respectfully?
Thank you for your comment below, in answer to my previous observation and question.
Nine styles are equally resonant even as Bouret assumes an imperceptible lead.
The tenth style bears such a thematic difference from the others. Can you guess which one? It's number 9, Jenny Nystrom.
The Nystrom image is unsettling in the way that two of three witches look directly at the viewer! It's unexpected even as it is so effectively implemented.
Was Nystrom known for working such unsettling elements of Swedish culture into her art?
Maybe, but I don't think you need French blood to enjoy Bouret's designs;)
Thank you for your comment below, in answer to my previous observation and question.
The Germaine Bouret design also appeals to me.
Your account of the egg-ly appearances assured by "religion, magic, natural cycles, and plain child's play" appeals to me too. It clears the confusion that I couldn't cross through and beyond 'cause I considered only one cause, not four ;-D!
Bouret style is most resonant with me -- peut-être un tout petit peu parce que je suis d'ascendance française, non? ;-D -- even as the other designs invite me to imagine their origins and their relevance.
Interesting observation! Eggs, falling from the bell, somehow being produced inside, by pure boy's action, are artist's idea to fuse religion, magic, natural cycles, and plain child's play in one image. I believe she created a spectacular Easter postcard. You simply can't look at it an not feel a thing, right?
That first in-text image of the bell-ringing boy (with the double meaning of getting reprimanded) with the two prank-responding girls charms me.
But where do the eggs come from?
May all the eggs hatch like those from which the three chicks move around the petit minou mignon, petite minette mignone ("little [male] kitty charming," "little [female] kitty charming" literally) sentients!