In "By Its Cover," the rare first edition of Giovanni Ramusio's second volume of Delle Navigationi et Viaggi is vandalized.
Marco Polo Bridge, 9 miles (15 km) southwest of Cambalu (now Beijing) over Pulsangan (now Yongding) River; illustration in Giovanni Ramusio's narration of Marco Polo's voyages in Delle Navigationi et Viaggi, volume 2
G.B. Ramusio, Secundo volume delle navigationi et viaggi (1574), page 32: (nothing about copyright), via Internet Archive @ https://archive.org/details/secundovolumedel00ramu/page/32/mode/1up
In "By Its Cover," Niccolò Liburnio's Latin translation of explorer Hernán Cortés’ historic New World account, Cartas de Relación, is vandalized.
woodcut of Temixtitan (Tenochtitlan, modern-day Mexico City) by Friedrich Peypus (1485-1534), from map by Hernán Cortés
Library of Congress Rare Book and Special Collections Division, Lessing J. Rosenwald Collection: Public Domain, via Library of Congress @ https://www.loc.gov/item/65059078/
Venice at night: Biblioteca Merula is located on Fondamenta da Zattere, the quay that runs along Venice's long southern shore in the island city's southwestern area, Dorsoduro.
Fondamenta da Zattere, Dorsoduro, southwestern Venice: Italo Greco (incooldj), CC BY 2.0, via Flickr @ https://www.flickr.com/photos/incooldj/8419903382/
Does an obsessive Gratta e Vinci (Scratch and Win) player become involved in high stakes vandalism of valuable antiquarian books?
Italy's Gratta e Vinci scratch-off lottery tickets: Claudio Cicali, CC BY SA 2.0, via Flickr @ https://www.flickr.com/photos/enebish/468292383/
Biblioteca Merula, scene of theft and vandalism of some of its rarest books, is set on Fundamenta delle Zattere (Zattere Quay), which stretches along almost entire length of Canale della Giudecca, one of Venice's major canals.
Canale della Giudecca; Fondamenta delle Zattere, Dorsoduro, southwestern Venice: Janericloebe, Public Domain, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:Venezia_Dorsoduro_Panorama_001.JPG
Comments
WriterArtist, Thank you for visiting.
Your comments and your wizzleys always are appreciated by me. In fact, I've read all your articles, for which I always vote but to which I not always have had the time to share my questions and reactions.
Me too, it's disagreeable when others disrespect and vandalize artworks, books and statues.
I dislike people tearing pages from books, vandalizing and disrespecting public statues in parks and museums. It is sad that people resort to violent practices for showing hatred and animosity. You have brought a very important point and this book certainly brings out the atrocity in human behaviour. Hoping that it is dealt with strictly.
sandyspider, By Its Cover and The Jewels of Paradise are my favorite books by Donna Leon. I appreciate the way she deals with interesting and timely themes in a criminal context with an eye to cultural accuracy and without belaboring physical violence or unpleasant personality traits.
Very interesting. Love intriguing books like this.
directions, Donna Leon's work of fiction acts as an introduction to and a review of the horrors of repurposing almost anything valuable by way of gem-by-gem, page-by-page, panel-by-panel theft and vandalism. It's one of the many reasons why By Its Cover remains my absolute favorite -- along with The Jewels of Paradise -- of all of Donna Leon's insightful publications.
Mira, Umberto Eco's observation of books being taken apart and being sold, page by page, is sadly accurate. Many beautifully illustrated books -- including those with painstakingly beautiful illustrations of fauna and flora -- are subjected to such profitable, by-the-page sales. Additionally, many such dismembered books were published in limited editions, so the availability of complete editions is greatly reduced.
The plot sounds quite intricate. Umberto Eco said in This Is Not the End of the Book that manuscripts are often vandalized and sold by page rather than as a whole object. It appears that your book deals with this kind of vandalism.