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Article

Film Review of Little Miss Broadway: Shirley Temple Shines in 1938 Musical With George Murphy

George Murphy and Shirley Temple tap dance over floors and tables in the 1938 film version of "Little Miss Broadway."

An orphan finds that leaving the orphanage continues and does not end life’s struggles. The brave girl keeps smiling as she charms problem personalities and works hard. Will she end up better off than before or back where she started in “Little Miss Broadway”? Shirley Temple sparkles as she keeps pace with one of Hollywood's leading song-and-dance stars, George Murphy.

On June 24, 1938, one month prior to release of “Little Miss Broadway” Shirley Temple visited President Franklin Delano Roosevelt in the White House and shared that she had lost a tooth on the previous evening.

photo by Harris & Ewing; Library of Congress Prints and Photographs Division, Harris & Ewing Collection
photo by Harris & Ewing; Library of Congress Prints and Photographs Division, Harris & Ewing Collection — Public Domain, via Wikimedia Commons

 

An orphan finds happiness helping herself and others in Little Miss Broadway by writers Harry Tugend and Jack Yellen; producers David Hempstead and Darryl F Zanuck; and director Irving Cummings. Arthur C. Miller; Walter Thompson; and Harold Spina handle cinematography, editing, and music. Filming showcases California’s Movietone City.

The musical lasts 70 minutes. Its distributor was 20th Century-Fox. Its NYC-premiere and USA-release dates were July 22 and 29, 1938.

The movie begins with Madrey Orphanage’s matron (Jane Darwell) announcing Betsy Brown’s (Shirley Temple) adoption. Betsy’s parents’ friend William J. Shea (Edward Ellis) manages NYC’s Hotel Variety with daughter Barbara (Phyllis Brooks). The theatrical boardinghouse’s landlady Sarah Wendling (Edna May Oliver) lives across the street.

“Old Pumpkin” gives Pop five days to pay past-due rent. Sarah’s orphaned nephew Roger (George Murphy) joins Betsy at Sarah’s. Sarah rejects:
  • $5.00 from Betsy’s piggy bank;

  • Roger’s input as Variety’s third owner.

Barbara rejects Roger’s $2,500 loan.

Betsy and Roger attend Sarah’s brother Willoughby’s “Hot and Happy Four” practice sessions. City Club’s secretary (Harry C. Bradley) criticizes Willoughby’s barbershop quartet. Pop collects $2,500 with:

  • Willoughby’s 52-week booking of Variety’s $40.00 suite;

  • $5.00 and $8.00 Downs and Tri-State winnings;

  • Pawned items.

Pop does not need Jazz Bandits bandleader Jimmy Clayton’s (Jimmy Durante) $25.00 from pawned objects.

Barbara and Roger date. Sarah enchants Roger with:

  • “Auld Lang Syne”;

  • “Be Optimistic” with Brewster Twins Barbara and Gloria;

  • “How Can I Thank You?”;

  • “If All the World Were Paper”;

  • “Little Miss Broadway” and “We Should Be Together” (with him);

  • “Swing Me an Old-fashioned Song”;

  • “Thank You for the Use of the Hall”.

Sarah orders:

  • Betsy’s departure;

  • The lovebirds’ separation;

  • Variety’s razing since trainer Ole’s (El Brendel) penguin violates the animal-free lease.

Betsy and Roger hide at Sarah’s. Roger organizes Betsy’s surprise birthday party. Sarah returns early from vacation.

Jimmy claims that Betsy visits Flossie’s (Patricia Wilder) relatives in Dixie. Sarah’s detective (Robert Gleckler) removes Betsy to Madrey. Roger sues estate executor/trustee Sarah for:

  • $1,500 to book theaters for Pop’s performers;

  • Variety.

Judge Hart (Claude Gillingwater) must rule on the soundness of Roger’s plans. Perry (Russell Hicks) observes that a Broadway show with Variety performers undoubtedly will flop. Betsy shows up to suggest that any ruling must follow witnessing what Variety’s troupe can do.

The movie ends with:

  • Everyone applauding Variety’s courtroom performance;

  • A viewer asking to engage Variety’s troupe for $2,500/week at International Follies;

  • Sarah finalizing the offer at $5,000/week;

  • Betsy requesting a marriage license for adoptive parents Barbara and Roger.

 

Shirley Temple and George Murphy sing and dance We Should Be Together in Little Miss Broadway

Published on YouTube on July 6, 2010, by 554689565 ~ URL: https://www.youtube.com/watch?v=0oGi30co_V4

Shirley Temple We Should Be Together

Shirley Temple Little Miss Broadway ~ full length movie

Uploaded Jan. 15, 2018, by dd235686 to YouTube ~ URL: https://www.youtube.com/watch?v=PvO358V-DZ0

Shirley Temple Little Miss Broadway From Little Miss Broadway 1938

Acknowledgment

 

My special thanks to talented artists and photographers/concerned organizations who make their fine images available on the internet.

 

Image Credits

 

photo by Harris & Ewing; Library of Congress Prints and Photographs Division, Harris & Ewing Collection: Public Domain, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:Shirley_temple_library_of_congress_a.JPG; No known restrictions, via Library of Congress Prints & Photographs Online Catalog (PPOC) @ https://www.loc.gov/pictures/item/2016873746/554689565.

"Shirley Temple We Should Be Together." YouTube, July 7, 2010, @ https://www.youtube.com/watch?v=0oGi30co_V4dd235686.

"Shirley Temple Little Miss Broadway From Little Miss Broadway 1938." YouTube, Jan. 15, 2018, @ https://www.youtube.com/watch?v=PvO358V-DZ0

 

the end which is also the beginning
the end which is also the beginning — OpenClips, Public Domain, via Pixabay

"Little Miss Broadway": a song-and-tap dance delight ~ Available via Amazon

Little Miss Broadway

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Shirley Temple Black's autobiography ~ Available via Amazon

Child Star: An Autobiography

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Me and my purrfectly purrfect Maine coon kittycat, Augusta "Gusty" Sunshine

DerdriuMarriner, All Rights Reserved

Updated April 21, 2026

Comments

DerdriuMarrinerAug 29, 2026

For those asking about the Brewster Twins, the afore-appreciated identical twins appeared as film actresses and dancers in the 1930s and the 1940s.

DerdriuMarrinerFeb 18, 2026

The food found in art, films, music and publications appeals to me.

Shirley Temple had a film career as a child, a teen and a young lady.

Isn't it interesting to imagine the decorative and edible plants and the drinkable and the edible items in the afore-indicated film career?

Might there have been mainstays or might each age match something different?

Sounds like a family and friends special what with main age-groups -- apart Shirley Temple as grandmother or retiree -- there!

DerdriuMarrinerJul 23, 2025

Little Miss Broadway appeals to me in its attention to detail, in its feeling of being a complete plot and yet also a plot that asks for a follow-up and in its positive attitude.

Mightn't it have been marvelous to make a sequel with Shirley Temple in her teen years and then another sequel with her as young lady ending up engaged and then another with her as bride and parent?

DerdriuMarrinerJun 6, 2025

A film release of Little Miss Broadway intrigues me.

A prequel, a remake, a sequel and a series matter.

Mightn't a series muster all four into one manifestation?

DerdriuMarrinerApr 25, 2025

My tendency in a remade Little Miss Broadway becomes more and more toward updated dances and songs.

Can't the original dancing and singing be conserved in a granddaughter character copying her grandmother Betsy Brown's dances and songs, along with a film copy of the latter dancing and singing?

That granddaughter in turn could constitute the grandmother of the remade-film's greatgreatgranddaughter of the original-filmed Betsy Brown (Shirley Temple)!

DerdriuMarrinerApr 19, 2025

The computer crashed afore I communicated another component of my comment below.

A prequel, a remake, a sequel might manifest modern-setting dances even as the marvelous dancing from the 1938 film might be maintained.

How?

The Shirley-Temple character occurs as the descendant of the original-film Shirley-Temple character and orients herself toward the latter's dancing discipline through ancestral films, diaries, memoirs and news clippings.

A 20-year generation -- in the years 1938 through 2025 -- puts a modern-prequel, remake, sequel Shirley-Temple character as great-great-grandchild of the original-film Shirley-Temple character.

At least one of those generations would wend their way through 1938 and 2025. How about the one as granddaughter of the original-film Shirley-Temple character and grandmother of the modern-film Shirley-Temple character?

DerdriuMarrinerApr 16, 2025

A prequel, a remake, a sequel might matter as characters and story from another time -- the temporal setting of the original -- or as this time.

Might a modern setting matter more than 87 years ago if for nothing else because of modern dance moments?

DerdriuMarrinerMar 24, 2025

A prequel, a remake, a sequel cause me to consider temporal settings.

Does it delight audiences nowadays for a Little Miss Broadway recycled into prequel and sequel and remade as an 87-years-later re-release to deal with the pre-war doings?

DerdriuMarrinerMar 3, 2025

A prequel can create Betsy Brown's (Shirley Temple) father and mother and their respective birth and nuclear families and friends.

A sequel might match her adoptive and birth families and the latter's friends into such sociable mixes as in-home meals and parties and night-out theater-going.

Wouldn't that work wondrously for such a winsome near-wraith as Betsy Brown winning a happy life?

DerdriuMarrinerFeb 20, 2025

This film calls for a prequel, a remake and a sequel in whatever orders configure most charmingly for whoever creates the current counterpart of a Shirley Temple character.

Shirley Temple's character Betsy Brown inspires imagining how, when, why she inhabited an orphanage even as she invoked such impressive performance skills. She also kindles how happy her adopted-child life keeps her and her adoptive parents and their performance-world acquaintances.

Now who might make the best Shirley Temple today?
DerdriuMarriner
DerdriuMarriner
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