MM: At the beginning, it was really a case of practicality; if a band is only selling its own output, it's very limiting. If, on the other hand, various bands sell each other's output, it's much easier to attract more support and interest. Of course, if something works, it tends to grow, so it all became a lot more than that ultimately.
Over the years M&E released 600 albums, it's phenomenal the amount of great music (and elsewhere) out there. The sad thing is that a lot of it would have remained mostly obscure and unheard if it hadn't been for the underground set up.
Nowadays they have the Internet, so communication isn't a major problem, but through the heyday of that global underground movement, it was all jiffy bags, stamps and customs forms. The level of communication we all take for granted now simply wouldn't have been possible then without the subterranean networking we were a part of.
One band once wrote me "If you're not on M&E, you're nothing." Whilst I don't agree with that statement (there were hundreds of excellent labels out there!), it was flattering. However, what it REALLY meant to me was the value of that global network, because it wasn't the fact that band was on M&E that made them something, it was the fact it connected them with the wider underground. I know it’s a cliché, but ‘united we stand’ and all that jazz.




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BardofElyJan 25, 2013
EliasZanettiJan 25, 2013